How the Transition from the Traditional Kazakh Song to the Soprano Repertoire of Opera and Chamber Singers is Realized?

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Authors

Saida Yelemanova

Corresponding author

PhD in Arts, Professor, Musicology and Composition Department

Kurmangazy Kazakh National Conservatoire

Kazakhstan

Akberen Dyusembay

2nd year Master Degree Student, Vocal Art Department

Kazakh National Conservatory named after Kurmangazy

Kazakhstan

Abstract

People's Artist of the USSR Yerkegali Rakhmadiyev. The outstanding chamber vocal work for soprano "Tan Samaly" by Yerkegali Rakhmadiyev was chosen as the object for analysis. The article examines in detail the system of musical and expressive means of folk-professional songs in the new conditions: the use of the so-called "ritual complex" and compositional patterns of song construction. The creation of a national soprano repertoire, the very type of concert or opera singer with a high voice or even coloratura, is a large-scale historical task. The repertoire for singers with a high voice could appear, take shape as something whole, viable, not only due to the presence of bright voices and a special talent of performers like the People's Artist of the USSR Bibigul Tulegenova, but also due to the original work of composers who had to create something ethnically peculiar, without copying the foreign and without using wellknown examples.

Keywords

soprano repertoire
folk-professional song
concert and opera singer
original work of the composer