Казахская народная музыка в саксофонных произведениях композиторов Казахстана

Dokshizer, Timofei. Iz zapisnoi knizhki trubacha [From the Trumpeter’s Notebook]. Moscow, Kompozitor, 2008. (In Russian)

Imanbayev, Azamat. Conversation with Aleksandr Fedyanin. Almaty, 5 September 2023. Personal archive of A. Imanbayev. (In Russian)

Imanbaуev, Azamat, and Aizada Nussupova. “O koncerte dlya saksofona i duhovogo orkestra «From KZ» Yu. Lebedevoi” [“About the From KZ Concert for Saxophone and Brass Band by Yu. Lebedeva], Performing Arts: History, Methodology, proceedings of the international scientific and practical conference. April, 2019, Kurmangazy Kazakh National Conservatory. Almaty, Kurmangazy Kazakh National Conservatory, pp. 175–180. (In Russian)

Imanbaуev, Azamat. “Artur Orenburgskii: shtrihi k portretu kazahstanskogo kompozitora i pianista” [“Artur Orenburgsky: Touches to the Portrait of the Kazakh Composer and Pianist.”] Research Prospects: Musical Art through the Eyes of Young Scientists, materials of the first republican master’s readings. February, 2019, Kurmangazy Kazakh National Conservatory, Almaty, pp. 4–11. (In Russian)

Kazakstan kompozitorlarinin shigarmalari saksofon jane fortepianoga arnalgan [Works by Composers of Kazakhstan for Saxophone and Piano], compiled by P. Serebryannikov, Astana, 2012. (In Kazakh)

Medvedeva, Marina. “Aranjirovka kak vid tvorcheskoi deyatelnosti (K probleme obucheniya)” [“Arranging a Kind of Creative Activity (On the Problem of Learning)”]. Traditional Folklore, Modern Folk Choirs and Ensembles: collection by M. Medvedeva. Compiled and edited by Viktor Lapin, Leningrad, LGITMiK, (Folklore and Folklore studies, iss. 2), 1989, pp. 47–61. (In Russian)

Moura, Nádia, and Sofia Serra. “Saxophone Players’ Self-perceptions about Body Movement in Music Performing and Learning: An Interview Study.” Music Perception, vol. 41, no. 3, 2024, pp. 199–216. DOI: 10.1525/mp.2024.41.3.199.

Turchinskу, Boris. “Margarita Shaposhnikova: soedinyaya dushu s instrumentom” [“Margarita Shaposhnikova: Uniting Soul with the Instrument.”] Partita, www.partita.ru/articles/shaposhnikova.shtml. Accessed 24 March 24.

Ukshini, Enis, and Joris Dirckx. “Influence of Lip position, Lip Force and Blowing Pressure on the Tuning and Playability of an Alto Saxophone Mouthpiece.” Applied Acoustics, vol. 199, 2022. DOI: 10.1016/j.apacoust.2022.109011.

Ukshini, Enis, and Joris Dirckx. “Time-resolved Strain and Deformation Measurement on the Vibrating Saxophone Reed.” Strain, vol. 59, no. 3, 2023, рр. 1–14. DOI: 10.1111/str.12437.

Yerzakovich, Boris. “Vklad Abaya v kazakhskuyu muzyku.” [“Abai's Contribution to Kazakh Music.”] Aittym salem, kalas kas [Hello to You, Kalam Kas (Thin-Browed Girl)] by Abai Kunanbayev. Compiled by Boris Yerzakovich. Almaty, Oner, 1986, pp. 19–32. (In Kazakh)