Creativity kuishi of A. Chyngojoev

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Authors

Symbat Abduahap

												

Corresponding author

1st year Master degree student, Conducting Department

Kurmangazy Kazakh National Conservatory

Kazakhstan

Aizada Bultbayeva

												

PhD in Arts

Kurmangazy Kazakh National Conservatory

Kazakhstan

Article information

Article publication date

2020-12-30

Article Page

43-47

Chapter

Arts & Humanities

License

Attribution-NonCommercial-NoDerivs 4.0 International

Abstract

The research object in this article is the work of kuishi-composer of the Zhetysu dombra tradition - Ashirali Shinkozhayev. Biographical data and information about the creative heritage of kuishi are given and a relatively detailed analysis of kuis. Kuis are considered from the point of view of structure, rhythm, melody, playing techniques and are given in comparison. The author of the article highlights some distinctive features of the composer's kuis that are characteristic of the Zhetysu kyu tradition. These include the connection between the gentle sound of Zhetysu melodies and the performing traditions of the Arka and Karatau schools and variant and sequential repetitions and improvisational development of themes in kuis. Kuis of Ashirali written in two traditions – buyn and transpositional. As an example, the kuis "Koterilgen tyn" and "Zheldirme" are analysed. For example, these kuis bunny demonstrates the principle of material development.

Keywords

Ashirali Shinkozhayev
kui
kuishi
art
traditions
performance
creation
Zhetysu
bunny (zone)

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