Article information
Article publication date
2022-06-30
Article Page
11-16
Chapter
Arts & Humanities
License
Abstract
The article discusses the creative activity of the People's Artist of the USSR, composer G.A. Zhubanova (1927-1993) and Honored Worker of the RK, Honored Teacher of the RK, holder of the Orders of the Labor Red Banner, “Dostyk”, “Kurmet”, Professor N.M. Patrusheva (1927-2017).
Based on the textual materials of the book “My World is Music” by G.A. Zhubanova, her early articles in periodicals, including those dedicated to the students of N.M. Patrusheva, the commonality of professional and personal principles of the life of musical and pedagogical activities of peers and colleagues. Through quotes-epigraphs and factual data, those “intersection points” have been revealed that were predetermined by the special – edifying – nature of their mentoring, the level of dedication and inner conviction, without which the achievement of truly creative results was hardly possible. A fragment from the article “Heirs of Kulyash”, which was published more than a half-century ago, characterizing the accuracy and insight of the value judgments, made it possible not only to show the process of learning of the gifted children in a specialized school and the beginning of concert practice in the future of the star performers but also to update the names that are important for the Kazakh culture today as well. The obvious connection and continuity are presented mainly as facets necessary for establishing the “unshakable human values”.
Keywords
Teacher-master (mentor)
violin school of Kazakhstan
composer's word
personal contribution
modern culture
References
My world is Music. In 2 volumes. Articles, essays, memoirs. Comp. and ed. D. Mambetova. – Almaty: AKSIM, 1997. (See also 2008 and 2017 reissues).
Zhubanova, G. Kazakh nightingale // Our sisters. – Alma-Ata: Kaz. State Publishing House, 1961. – P.273-281; Zhubanova, G. The successors of Kulyash // Kazakhstanskaya Pravda. April 15, 1971.
Musakhodzhaeva, S. Musical excellence of Marat Bisengaliev // Thought. – 2007. – №7. – P.64.