Театральная эпатажность небойши живковича для дуэта ударных

Илья Мелихов

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Author

Ilia Melikhov

Associate Professor of Percussion Department, Applicant of Department of musical journalism

The Gnessins Russian Academy of Music

Russian Federation

Article information

Article publication date

2020-12-30

Article Page

18-28

Chapter

Arts & Humanities

License

Attribution-NonCommercial-NoDerivs 4.0 International

Abstract

The article considers one of the aspects of Serbian composer-percussionist Nebojsa Zivkovic's work, his ensemble works. Ensemble «Sex at the kitchen» for percussion duet, commissioned by Auditorio de Tenerife, is in the focus of attention in the article. The composer reaches the artistic imagery of this work using the innovative performing methods and including some contemporary percussion instruments into the score. As a central feature, the idea of the emotional dialogue between the performers and theatrical scene is taken. Main performing methods, interpretational tasks for musicians (e.g. technical levels, the specificity of percussion playing) are analysed. Methods of research include theoretical, analytic and comparative ones.

Keywords

Zivkovic
composition
ensemble
multiple percussion
kitchen percussion
theatricality
methods of expression

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Published:

2020-12-30

Received by editorial:

2024-02-02

Journal number

№ 4

Volume