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Conductor’s Interpretation of the Carmen Opera in Abay National Academic Opera and Ballet Theater

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Author

Dastan Ibragimov

2nd year Master Degree Student, Conducting Department

Kurmangazy Kazakh National Conservatory

Kazakhstan

Article information

Article publication date

2021-03-30

Article Page

64-68

Chapter

Arts & Humanities

License

Attribution-NonCommercial-NoDerivs 4.0 International

Abstract

This article covers the issues of the production of the opera «Carmen», which premiered in March 2015 at the Abai NAOBT. A characteristic feature of this reading of the opera was that it was created in line with the modern traditions of the «director's» theater, which has gained particular popularity in Europe. In this regard, attention is paid to the above-mentioned phenomenon, which influenced the scenography and directing decisions in the production of «Carmen». By means of a comparative-analytical approach, an attempt is made to consider the modern interpretation of A. Buribaev in comparison with the version of B. Jamanbaev. There are common and different points in the conductor's interpretation of the two maestrop.

Keywords

Carmen
director's theater
interpretation
B. Zhamanbayev
A. Buribayev

References

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Published:

2021-03-30

Journal number

1

Volume

9

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How to Cite

“Conductor’s Interpretation of the Carmen Opera in Abay National Academic Opera and Ballet Theater”. Saryn, vol. 9, no. 1, Mar. 2021, pp. 64-68, https://sarynjournal.kz/saryn/article/view/137.